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Jean Rouch

1917-05-31

The Biography

Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.

Jean Rouch in

Movies

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The Doll

5 average rating
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Portrait de Jean Rouch

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My Conversations on Film

3.2 average rating
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Mon père c'est un lion - Jean Rouch pour mémoire

0 average rating
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The Dreamed Films

7.3 average rating
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Cinématon

4.3 average rating
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Chronicle of a Summer

7.147 average rating
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Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)

6 average rating
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World Without a Game

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The Lovely Month of May

8 average rating
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Sodankylä Forever

0 average rating
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Nouvelle Vague : El cine sin dogmas

0 average rating
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Jean Rouch, des mensonges plus vrais que la réalité

0 average rating
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Letter to Jean Rouch

6 average rating
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Son of Gascogne

4.333 average rating
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Work(ing Together) in Process

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Ciné-mafia

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Rouch in Reverse

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La Nouvelle Vague par elle-même

6 average rating
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The Mad Masters

6.215 average rating