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Jean Rouch

1917-05-31

The Biography

From Wikipedia, the free encyclopedia Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.

Jean Rouch in

Movies

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Chronicle of a Summer

7.2 average rating
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The Mad Masters

6.2 average rating
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The Lovely Month of May

8 average rating
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My Conversations on Film

3.2 average rating
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The Dreamed Films

7.3 average rating
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Cinématon

4.3 average rating
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The Doll

5 average rating
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Son of Gascogne

4.8 average rating
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Samba the Great

5 average rating
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Nouvelle Vague : El cine sin dogmas

0 average rating
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Cinéma! Cinéma! The French New Wave

2 average rating
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Letter to Jean Rouch

6 average rating
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La Nouvelle Vague par elle-même

6 average rating
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Sodankylä Forever

0 average rating
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Maya Deren, Take Zero

5 average rating
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Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)

6 average rating
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Ispahan: A Persian Letter (The Chah Mosque at Ispahan)

8 average rating
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An Egg with No Shell

1 average rating
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Pierre Fatumbi Verger: Messenger Between Two Worlds

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World Without a Game

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